Through a misunderstanding, Chul-su arrives on the doorstep of Chun-hi. Having nowhere else to go, he forces her to allow him to stay until they can contact their mutual friend to solve the problem. Their initial contempt for each other gradually softens.

As one of the world’s premier art museums, The Metropolitan Museum of Art is home to the finest collection of Chinese artistic masterpieces of any museum outside of China. The collection spans 5,000 years of changing political dynasties and varying religious and foreign influences and represent every period of Chinese history. One of the most astonishing things about China is how little most Americans actually know about it, even though China’s culture is so present in our western world. We often see China as a nation casting off tradition in a mad rush to westernize. But below the hectic surface lies a steadfast culture that has influenced the West in deep and subtle ways.

The story follows a slew of museum art robberies that occurred in Europe, in which Chinese antiquities were stolen, chiefly those that came from the country’s old Summer Palace which was raided in 1860 by French soldiers. No one knows who the thieves are, but the works of art continually wind up back in China. Essentially, there’s a new generation of wealthy Chinese people who are collecting artifacts from the old Summer Palace. Is China’s government behind the art theft wave? The feature questions who gets to own art, and who gets to own history and culture.

Art historian Helen Rosslyn traces the stories of the people whose enthusiasm for art, sense of adventure and wealth built Britain's national collection and shaped the history of art of the nation.

As the Metropolitan Museum of Art closes, Big Bird decides to leave his Sesame Street friends behind in search of Snuffy. Once locked inside for the night, educational hilarity ensues as Big Bird and Snuffy team up to help a small Egyptian boy solve a riddle - as the rest of the cast searches for their big, yellow friend.

暂无剧情简介

A short film directed by Marlon Lara

John Minton was for a time one of the most popular 20th century British artists, more famous even than his contemporaries Francis Bacon and Lucian Freud. But his seemingly charmed life was cut tragically short and his work is now largely forgotten. For the actor and writer Mark Gatiss, Minton has been something of an obsession since he first came across his work as a teenager, and in this personal, authored film, he tells the story of Minton’s colourful, complex life for the first time on television. 　　A prolific and talented painter, Minton was one of the leading figures in post-war British art, known for his landscapes, portraits and large-scale murals. He was also a brilliant and commercially successful illustrator, whose work on books, magazines, and film and travel posters brought him real fame. But this artistic tension wasn’t the only one in his life. As a gay man living in a deeply repressive era, he struggled with his own sexuality and sought refuge in the hard drinking culture of Soho and its tight circle of fellow bohemians. 　　Mark plunges back into Minton’s world, from the headiness of Soho to the serenity and beauty of Corsica, where Minton produced some of his most influential work. Meeting his friends, contemporaries, former models and students, including Bridget Riley and Peter Blake, he comes across unseen photos, lost paintings and rare recordings of a man whose life and work seemed to disappear overnight. For Mark, it’s time to invite John Minton back to the party he left all too soon.

A television repairman makes a repair.

Susan, a single mother of two, works as a waitress in a small town. Her son, Henry, is an 11-year-old genius who not only manages the family finances but acts as emotional support for his mother and younger brother. When Henry discovers that the girl next door has a terrible secret, he implores Susan to take matters into her own hands.